F3 Knoxville

Stay Off The Grass

Asylum
Workout Date: 18 Aug 2020
QIC: Steam

[ Welcome/Disclaimer ]

  • Welcome to F3: Fitness – Fellowship – Faith
  • My name is Steam and I am honored to be your Q this evening
  • FNGs?
  • Couple of things before we begin:
    • I’m not a professional
    • You’re here on your own volition = you’re here on purpose – I truly believe that and I hope you do too
    • I don’t know any injuries you may or may not have so if you do need to modify anything we do this evening feel free to do so but push yourselves and the men around you
  • COVID Precautions

[ Warm-Up Xs ]

  • Cherry-Picker: 10 x 4
  • Gate-Opener: 10 x 4
  • Rockette: 10 x 4
  • Motivator: 5
    • SSH
    • Straight out
    • Just legs
    • Hops

[ PT ]

(Mosey to the back of the admin building)

  1. Cash-In with 100
    • 20 SSHs – 5x
    • 12 – 3 – 6 – 9
    • 1 group goes counter clockwise + 1 group goes clockwise around the grassy area
    • When you’re done back here at 12 (the top) – hold the Al Gore 

(10 count)

(Mosey to Cardiac Hill)

– Every stop sign = 10 merkins (down/up)

  1. Quarter Pounder
    • 4 points of contact
      • Top
      • Turn 1
      • Turn 2
      • Bottom (light)
    • Every point of contact: 25 merkins
      • Straight-up
      • Incline
      • Decline
      • Your call
    • When you get to the bottom: knock out some squats and work on your breathing until the 6 is up

(10 count)

    • What goes up must come down, right? Let’s flip that on it’s head and consider the idea that what comes down will rise up again, but in a different way.
    • So – going back up to the top – same concept
    • Same 4 points of contact EXCEPT
      • 1 Man-Maker at each POC
    • Hold Al Gore

(10 count)

(Mosey to small Pav single file)

Detour at CMU pile – 5 points for the Q (LOL)

  1. High 5
    • Every pillar = 5 SSHs — lunge to the next pillar
    • To the end

(Mosey to Chapel)

  1. Curb Appeal 
    • 10×4 Rocky Balboas on the curb
    • run across the street to the opposite curb
    • execute 10 down/up incline merkins on the curb

(10 count)

(Mosey back to AO straight up the hill to the flag)

[ COT ]

  • # off: 21 PAX + 1 FNG
  • Name o Rama
  • FNGs
    • 1 —> FirePower (originally named PoleDancer………found out there was a duplicate in the system so FirePower it is)
  • BOM

“Any creative work Is in some sense indebted to every person that has had an impact on one’s life, for good or bad”

  • Brent Curtis, “The Sacred Romance” with John Eldridge
  • Let’s take this a little deeper:
    • As men we create. We plant, grow, and serve. We build. We are intrinsically wired to do this by our creator.
    • Now I want you to think about what you like to create, whether you’ve actually done so recently or not.
      • Maybe it’s physically creating something such art or woodwork, or literature
      • Or Maybe it’s creating things that are not necessarily physical, such as an atmosphere, environment, or content.
    • But whatever that is for you – there are people in your life that have impacted this creation, how you create, what you create, and why you create – for both good and bad.
    • And both of these parties/experiences deserve credit
      • The good: think about those things/people/experiences that have had a positive impact on your life and influence the things you create and why
      • The bad: think about those things/people/experiences that have had a negative impact on your life and influence the things you create and why
    • So we know a couple things now:
      • As men we’re wired to create, plant, grow, and serve
      • The way in which we do this can be attributed to every person who has had an impact on our life, good or bad
      • And as High Impact Men – we’re called to set the standard and set the example – we lead by example
      • So it boils down to this: just like you have had people in your life that have impacted you (good and bad) that inspire you to create and inspires how you create – you have an opportunity every day as a High Impact man to fulfill one of those two roles in someone else’s life.